Sometimes in improvised music there can be a distance between listener and players, a sense you’re sitting back and admiring their interplay and abstraction – but with Szun Waves’ second album New Hymn to Freedom, this month’s release on Bowers & Wilkins Society of Sound, you’re right in there with them, inside the playing, experiencing the absolute joy the three musicians feel as they circle around each other, exploring the spaces they’ve opened up.
The three members already have sparkling pedigrees of their own. Norfolk’s Luke Abbott is well known for his explorations of the zones between pure ambience and the leftmost fringes of club culture. With Portico Quartet and Circle Traps, Jack Wyllie has been in the vanguard of UK fusions of jazz, classical and club music. Australian drummer Laurence Pike has likewise found a unique voice in improvised and experimental music-making, whether in the bands Triosk or PVT, or as a solo artist (his debut album Distant Early Warning was released in March 2018).
In some senses this is jazz, and in its ripples, sparkles and waves of rhythm will certainly chime with anyone turned on by Don Cherry, Alice Coltrane or Sun Ra. But just as much it’s in the British electronic tradition of artists like James Holden (in whose studio the first album was recorded), Four Tet and Nathan Fake. But really, this isn’t the sound of any influence other than the influence the three players are having on each other, and how happy that makes them.
“It still feels to me like a mystical adventure when we play,” says Abbott, “but there’s a musical language developing between us, we’re starting to make more sense together.”